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Before Lodge 49, Jennings had been in projects as big as Witness, Moneyball and Buffy the Vampire Slayer, but would you have known what credit to put next to his name? Now you do! - Daniel Fienberg

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He and co-star Wyatt Russell make for one of the year's great TV pairings and, on his own, he makes Ernie's dreams, seemingly easily obtainable and yet always just out of reach, feel worthy and epic. In AMC's trippy, laconic, indescribable Lodge 49, Jennings' sense of weary warmth helps ground and elevate the entire series.
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In a moment in which everybody gets giddy about each movie star deigning to dip their toes into the waters of TV, what gets me jazzed is when a network happily casts a 67-year-old African-American character actor without a clear "defining" role as a lead just because he's, you know, GOOD. She's more than deserving of a full-on Julia Garner vehicle at this point. No matter how big the ensemble, she always pops, and no matter how strange or uneven the show, she's always consistent and excellent.
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She was a valuable guest star on a great show ( The Americans), a great supporting performer on a pair of forgettable miniseries ( Waco and, especially, Dirty John), a vivid guest on a weird-ass limited series ( Maniac), and she remains the one and only reason I watch and will continue to watch Ozark. With shortened episode orders and wildly expanded scripted programming slates, it's become less and less rare for actors to do multiple television shows at once, but Garner's year was, by any standard, remarkable. Julia Garner, 'The Americans,' 'Ozark,' 'Maniac,' 'Waco,' 'Dirty John'.And what could have been a bland badass becomes a magnetic, unpredictable, insanely dangerous one thanks to Comer, who takes real risks bringing out that personality. But the real truth is that without Comer's delightfully unhinged Villanelle, the coquettish sociopath at the center of the series, there’s nothing there. It's a love-fest! But here's the thing: There is no show without Jodie Comer. Everybody loves Sandra Oh as a lead actress for that series as well. This is a little gem of a series, and Collette’s marvelous performance is the unifying element that makes it work. - Tim GoodmanĮverybody loves Killing Eve, it seems. But the beauty of her work here is how it goes beyond the sex into the wanting, and into the rationalizing. She's strong, vulnerable, funny, intelligent and tackles what it means to be sexual - and sexy - at a certain age (her character has kids who are 25, 18 and 16), without making that seem out of the ordinary. But as a psychotherapist in this small Netflix series about a troubled marriage where the sex has gone missing, she's particularly effective. It's shouldn’t be surprising to find Collette here. Image Credit: Courtesy of Matt Squire/BBC On The Good Fight, she's a Trump-hating, micro-dosing, increasingly paranoid fiend, and Baranski, already a national treasure, has never had more to play, fewer restraints and more evident fun. - Daniel Fienberg On The Good Wife, Diane Lockhart was only occasionally funny.
Julia garner dirty john how to#
Her performance was nominated for a Primetime Emmy, a Golden Globe and a Screen Actors Guild Award.I'm convinced that CBS All Access has no clue what The Good Fight is or how to sell it, because if you were to present this Good Wife spinoff as the genuinely frenzied and wacky dark comedy it is there aren't more than one or two actresses who could compete with Baranski's performance as the living embodiment of Trump Derangement Syndrome.

Image Credit: Courtesy of Netflix INVENTING ANNA (2022, Netflix)Ĭreated by Shonda Rhimes, this drama put Garner in the shoes (and voice) of real-life con artist Anna Delvey. Most people probably know Garner as Ruth Langmore, a roller coaster of a role that has earned her three Emmys, a Golden Globe and even got her named TVLine’s Performer of the Week.

Image Credit: Courtesy of Netflix OZARK (2017–2022, Netflix) Garner got to call Connie Britton mom in this anthology adaptation of a popular true crime podcast. Image Credit: Courtesy of Bravo DIRTY JOHN (2018–2019, Bravo) Garner played the (spoiler alert!) dead younger sister of Emma Stone’s Annie in this trippy sci-fi miniseries. Image Credit: Courtesy of Netflix/Everett Collection MANIAC (2018, Netflix) Garner made her TV debut in the recurring role of Kimberly Breland on this critically acclaimed spy drama. Image Credit: Courtesy of FX/Everett Collection THE AMERICANS (2015–2018, FX)
